Steve Cradock and Simon Fowler came to my Bank Cottage Studio around 2009 to record and polish up demos for their Saturday album. I added a bit of cello and that was retained in the final album version. They returned to record an extra track Dawn Cried The Day for the 21: The Boxset collection. Popping down the pub while I mixed it, Simon proclaimed it to be “the best recording we’ve ever done”!
Ocean Colour Scene
-
Tony Iommi
Cello / Strings, Credits / CV
My friend the engineer and producer Mike Exeter called me up as he was working with Tony Iommi of...
-
Slade
Credits / CV, Mixing, Recording
Slade descended to my old Bank Cottage studio thanks to a recommendation from Bill Hunt who had co-written some...
-
James Passey – Limited Edition CD E.P. out now featuring my piano, cello and production
Cello / Strings, Credits / CV, Latest Work, Recording
James Passey I have been producing tracks for James Passey for a few years. We recorded this fantastic song...
-
Cello recording for The Welsh Of The West End – One Day More from Les Miserables
Cello / Strings, Latest Work
Josh Moon arranged and produced a terrific track with Welsh Of The West End at the end of last...
-
Marc Almond
Credits / CV, Mixing
I engineered two mixes with Marc and Martyn Ware (formerly of Human League, Heaven 17) at Strongroom Studios in...
-
Druv Kent – Mastering international hits for the Indian born Singer Songwriter
Credits / CV, Latest Work, Mastering
Druv Kent Wanna Love Again is the fabulous new single from Asian megastar Druv which I recently mastered. The...
-
Appleton
Credits / CV, Recording
I recorded vocals for All Grown Up with Nicole and Natalie Appleton at writer/producer Mike Rowe’s small room at...
-
Mixing and Mastering for Harry Arnison – talented Leeds based singer/songwriter
Credits / CV, Latest Work, Mastering, Mixing
Harry Arnison Back in those pre-Britpop early 90s times, I produced and engineered tracks with a forward-looking and quirky...